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  • Sophia's Story | Our Stories

    < Back Sophia's Story 00:00 / 04:30 I feel like mostly where I really saw change and how I saw myself was in my senior year. Halfway through freshman year, I decided to transfer by myself to my local public school, and that is where I would say everything started to crumble and fall apart. I really struggled with making any friends, especially since it was halfway through the school year. Everybody already had their established friend groups. Then I'm also a very shy person, so that just all compounded into me not having anyone to be with in my classes. I would avoid going to lunch and eating, and that manifested itself into me, staying home from school. I would not go for days at a time, and I ended up almost failing every single class in my freshman year. And this repeated itself, this process of me staying home for weeks at a time for my sophomore and my junior year, all the way up until my senior year where I really felt hopeless. That that entire the entire process of me, like, not going to school, from freshman year onwards caused me to develop pretty severe depression and anxiety, which that high school experience really brought the depression out. I ended up, in my junior year making an attempt on my life because of the loneliness, because I had saw online, on social media that all of my friends were hanging out on a day that I had decided to stay home. And that was really just, like, my breaking point, and I felt like everything was pointless and hopeless. Like, seeing the amount of people that came for me that cared about me really showed me that my life was valuable, but I still struggle to find the value. I felt broken. I felt like something was truly wrong with me. I felt like I wasn't meant to live a good life. I remember I wrote that in my journal. Like, I'm not meant maybe I'm meant to just be unhappy. My guidance counselors had to step in, and they had to place me into this alternative program that my high school offered. And I had gone from honors classes to being put into the college prep. I was I connected myself worth to my academic success. And seeing that I like, I couldn't handle the work of the honors classes, that just really made me feel just cemented the fact that I was different from my friends, that I was that I wasn't well, that I was not doing well mentally, and that just really broke me. When I first got put into the program, I knew that it was going to help me. I knew that I was put into it to help me. That's what all my counselors said, my teachers, my mom. That's what they all said to me. So, I started going through the program. I had a lot of support, particular from the program. I director, her name was miss Mac, and she would always give me kindness and give me grace. There would be days where I would go for just an hour, and I would get overwhelmed and anxious. And I would ask to leave, or I wouldn't come in until noon. She still always welcomed me into the program with old open arms. With her help and also with the help of my teachers, they talked to them about how I was feeling. I felt like they wouldn't give me any grace, but they were the most, they were so understanding. And I think just having their grace, having their kindness, just knowing that they wanted me to succeed really helped give me the hope that I could actually graduate, on time with all of my classmates and all of my peers, that I could actually do the things that I had set out for myself to do at the beginning of the year when I thought that I couldn't get through it, when I thought that I couldn't even, like, make it out of bed. For senior year, me at the end of the year versus senior year, me at the beginning of the year, completely different people. By the end of the year, I saw that all of my hard work actually did pay off and that I actually was going to be able to walk with all of my friends, to graduate with all of my friends. I felt like, at the beginning, I felt like I wasn't doing anything with my life, but not but towards the end, I felt like there was something that I could be that I could do. Like, even though I had gone through all of this gone through all of this suffering that I could, in fact, get it all done. So, I'm really thankful to those people in my life, that senior year because without them, I don't think I would have managed to graduate on time. I don't think I would have even been able to start my college career when I did. It just taught me that it's hard for me to rely on people, but I do need to rely on people in order to succeed. Previous Next

  • Candace's Story | Our Stories

    < Back Candace's Story Candace shares what it means for her to live her best self and how she continues to learn through her experiences. 00:00 / 05:17 Candace: I like my own company. And I guess that was something of a surprise. I've tended my whole life to be very social. And all of a sudden, because I couldn't be, I started to do maybe more internal work, deeper dives internally. Being alone did not necessarily feel lonely to me. Candace: I'm 77. So with, I certainly hope, I've learned over that many years, a bunch of stuff. And, trying to get to the place where it's one thing or one more most important thing, or one thing that is a basket for everything else, right. And I think what it comes down to for me, is that everything counts. And the older I get, the more I see it. It's not that you have to always make brilliant choices, you can't, you know, and in fact, I think our failures may be certainly as important, maybe even more important than our successes. The choice part comes about, when you see how you deal with events in your life, or how you deal with what comes at you, or how, what you use to make choices, or even things like who you choose to be your friends, or who whose shoulders do you choose to stand on, you know, I mean, we can't choose our family. And we certainly all stand on their shoulders at some point. But, but we do choose like, occupations and, and mentors and people we admire, those are the shoulders we stand on, and those choices feel important. Candace: And, as I've gotten older, one of the things that's been I've been so aware of is that choices that I made years ago, come back to me in ways that I never thought would be true. I don't believe that everything is fate. Or that necessarily everything happens for a good reason. Because some bad stuff happens, you know, but I do believe opportunity is put in front of us time after time after time. And that's what's laid out. And that, within that we make choices. And those choices, sometimes they're good choices. And sometimes they're like, “wow, that was a wrong choice”, in terms of how things have turned out, and “what am I going to do about that?” Are we going to be defeated by that? Am I going to be angry about that? Am I going to be a victim? Or am I gonna make something of it that turns it into a lesson of some kind? Candace: My purpose is to be my best self. And what do I mean by that? There's a poet who I like a lot named Mary Oliver. And the last line of one of her poems is, “I don't want to end up simply having visited this world.” So I think that's what I mean by being my best self. I want to live fully and passionately, and mindfully. In this present moment I want to find ways to be joyful and to share that joy with other people. I want to be a lifelong war learner. I want to love unconditionally, I want to hear people's stories and share those stories. I long to explore the outside world for sure. And to get back to traveling and that kind of thing. Also, from the pandemic. I've learned, I want to explore more inside. What's going on inside. And I think a new exploration place for me right now is I want to prepare myself and the people around me for my death, so that it can be, I hesitate to say good because I'm not sure that that's always the case. But that it can be fully experienced and then it can be okay. Previous Next

  • Miriam's Story | Our Stories

    < Back Miriam's Story Miriam describes her experience studying the Hutterite community. She reflects on their sense of community and how it has been shown in her own life. 00:00 / 05:21 When I graduated from college, which is just where you are, I was able to know about and to actually, in that summer afterwards, go to study the Hutterites. The Hutterites and live communally. But what it means to live communally is that you're not really looking at what a lot of psychology looks at, which is sort of an individual lifespan, or tradition or whatever, of self, self, self. But these are people who live in a rural area, in a farming in the Midwest or in Canada, who came from east from Europe, decades go. This is a an agrarian farm thing. And these people learned from childhood there were a few people who moved into these communities but they've had plenty of children an average of 10 to 12 children, per family. Yeah. And I was amazed by how the world can be so different if you're living in a situation where you don't have money. Nobody has things. No, you don't own a house. This there's a car. But that's because the man who was in charge of the the farming things, he has to go to town and buy some equipment that can't be made, but the shoemaker lived there, and the people who made their clothes lived there. And there was a use of health care that people thought it was necessary. Nobody lived in individual house, nobody had their own fancy kitchens, everybody ate, breakfast, lunch, dinner together. Everybody went to school, but not outside, of course, they had their own teachers, they had their own churches, and they had their own process. Everybody went to church. Everybody wore the shoes that were made there. And everybody saw themselves as very much like the others. There were, there was a family or a couple who belong to the community, and they left. And that was a terrible thing for that community. Wow. Nobody ever left these communities. Right. Right. 2:49 Do you think it helped them in a way to have this really, really intense sense of community? Or did it almost become like a, like a total lack of individualism? 3:01 That's a very difficult question. Right. Right. I think that is the basic question. 3:07 In the United States, there's been sort of this push for, like, sort of extreme individualism, and it's sort of like, you rely on yourself, you get your toes, and that's, that's kinda like, where the line is drawn. We lost a sense of community in a lot of places, I think. So I wonder how we can find that happy medium, sort of where it's like, you still like feel like your own person, and you have this autonomy, but to still feel grounded in your community, you know what I mean? 3:34 In fact, have a probably 30/40 years ago now, there were villages where older people were able to sort of join together and support each other. Because they were they really want to live in a nursing home. There's nothing about a nursing home that is desirable. And they've started it here five years ago, called Northampton neighbors, but it was for older people who and that's how come I happen to be sitting here with you. 4:10 Yes, yeah, exactly. 4:13 Could join together in some ways, but have the kind of autonomy and world of their very special interests, and biases and skills and so forth. And it has worked. Right? Right has worked amazingly well. So anybody could call and say, Ah, is it possible that somebody could get me to the doctor, you know, supposed to snow on Wednesday, and there'll be somebody who would volunteer to take the person. Previous Next

  • Rebecca's Story | Our Stories

    < Back Rebecca's Story Rebecca discusses the lasting influence of joining Science Olympiad in middle school on her relationships, as well as the way that it has shaped her goals and life to this day. 00:00 / 03:44 I just joined it initially because I wanted something to do, an extracurricular, and when I was in middle school we only had flag football or Science Olympiad. So, for me it was a pretty obvious choice, and I got put just at random in an event called “Disease Detectives” which is just very, very basic epidemiology. So the first time I did a practice exam it was on asthma prevalence in a school where the school was right next to a factory and you had to figure out what was causing high asthma prevalence. It sort of felt like it was solving puzzle, even though we were literally taking an exam. At the end, I just felt so cool—I just thought it was so cool that I could assemble all this evidence and present at the end: this is what happened, this is how it happened. I think it's something that has carried me even now to studying public health because that’s the reason that I chose to study public health is that I wanted to learn more about epidemiology, and I wanted to become a disease detective—as dorky as that may sound. One of my coaches, Senila, who just every single day would just push me, and at first I think she was someone who really scared me because she was so dedicated to her own academics. But, you know, I think her strictness had a love behind it too and so she really just—she inspired me to see what was possible in my future, and she showed me how to do it so I really have eternal gratitude for her for being such a positive influence in my life. A real beauty of Olympiad is that it really does inspire kids to go out into the world and do science. When it became my turn to coach later, I think my excitement and passion for it helped inspire kids to also feel passionate for it. I remember the first year I got, the coaches, got bowling shirts instead of normal t-shirts, and I remember the first time I had my name embroidered on the sleeve it just felt so, so cool. One of the, I think proudest moments of my life was, I worked with this one girl in the club almost every and we became really good friends honestly, and on the day of our actual competition her parents came up to me—and I had never met them before—and they asked me if I was Rebecca. And I said, yes, and they said, our daughter always talks about you. You’ve made her care so much about science and she really, really likes you. It's so important I think to teach people how to learn outside of the context of school. I think Science Olympiad was really, for me, it was that and for many of peers it was too. Really, it taught me to, you know, even if you’re not one hundred percent enthusiastic about something to try it because you honestly never know where it's going to take you. Because I didn’t really want to do Science Olympiad at the start and now it has truly shaped my whole young adult life. Previous Next

  • Laura's Story

    Laura's Story In this story, Laura reflects on her connection to modern dance and how it has followed her throughout her life. Scroll to Listen Laura's Story 00:00 / 05:28 Laura: I believe I was four and my mother in a creative movement class that was in the basement of this teacher’s home. She was just magical to me. She—her name was Roslyn Fidel. I have very vivid memories of being in this class at age four and growing like a flower, leaping over rivers, and just the magic of being in the presence of this captivating figure—this dance teacher. So, it never stopped after that. We moved further out of Long Island, and my mother found another wonderful teacher of modern dance. In my—I guess maybe my junior year—I would start taking the Long Island railroad into the city to take classes at the 92nd Street Y. In my senior, I started dancing with one of these pioneers of modern dance, his name was Charles Weidman, and would be in these performances on Friday nights. And then I became a dance major at Ohio State but didn’t last because I actually became ill with anorexia and left school and then there were different steps to where ended up. I was in very bad shape and this dance teacher from my teen years called me, and she said that she had heard another of the students in that group was at the University of Wisconsin and she was studying something called dance therapy. And she thought I might be interested in. She had heard I was having a hard time. So, within a week, I was enrolled at NYU in their dance therapy program. And it was such a lifesaver for me because I had been—there was such conflict, such yearning to dance; and I was so depressed and unable to dance; I didn’t have the strength, and it felt so far away—as soon as I walked into that first class of dance therapy I realized—I discovered that I could bring dance back into my life in a way that would also help other people and be really meaningful and meet me where I was at a person and give me this future. Dance actually didn’t end up becoming my main career. Actually, I got a master’s degree in social work. I managed to through missing dance and feeling that social work was never the appropriate—the best—career for me, I was not one to sit in a chair. I managed to discover a way to continue to dance indirectly through the social work because I was working with elders and discovered there was woman who—Liz Lerman—who had an intergenerational dance company. I saw a picture of her dancing with these older dancers in this Swan Lake lineup, and I was just captivated. You know, I once wrote something about this question of growing older as a dance. When I—often times—and it used to happen maybe more, I would dream about dance. Actually, I just had a dream where I could do amazing things in my dream. I could fly into the stars. I would take off from the ground and sail and wouldn’t come down—things like that. So, I had written this—it was an article actually for a magazine about growing older as a dancer, and this hope that those images when I closed my eyes and dream, that I would still have that capacity to conjure those. That they would still come to me. Because I think the imaginable life—the dream life—is another life and maybe that would be something that would be a gift in my dying days.

  • Brenda's Story | Our Stories

    < Back Brenda's Story Brenda talks about her experience being a daughter to Brazilian immigrants and first generation college student. Brenda describes the transformation in her perspective from once desperately wanting to fit in to typical American standards, to now embracing her Brazilian roots and culture. 00:00 / 04:01 Both of my parents emigrated from this state in Brazil called Minas Gerais. My Mom came from the capital which is Belo Horizonte and my Dad is from this small, more rustic rural town called Governador Valadares. I didn’t think too much about it in my early, early ages but as I started getting into like third grade, fourth grade, with people, you know, dressing up for St. Patrick's day. And just being like, there is no Brazilian recognition, like really, there would be hispanic heritage month that we kind of talked about and black history month but Brazil is really weird because we are a little bit of everything. Usually, you know, when I am in the sun, I get like very, very tan. And my hair, especially when I was younger, was very long and big and curly and I had bushy eyebrows and I hated that. I really hated that. My best friend growing up was blonde with straight hair and blue eyes. And I would pray to God, like literally this third grader, I would cry to my Mom, and be like why don’t I have blonde hair and blue eyes, why don’t I look the way I want to look and fit this mold that I so desperately wanted to fit in. So at the time, I didn’t realize how badly I wanted to identify myself with something but that's what the issue was is that I often felt like these kind of headline identities, none of them really fit for me. But a lot of that in hindsight came from me trying to push down a lot of these aspects of myself that I feel like made me inauthentic. And it didn’t really, I guess come full circle until I got to UMass, and that's when my bubble really burst. And so my whole floor was filled with hispanic people, black people, caribbean, a very diverse mix of college kids. And when their families would come they would bring their traditional little Brazilian pastries and stuff, like pao de queijo, which is like cheese bread. And I remember this so well that one of the guys Mom came and brought it around for like to everyone on the floor, and that is such a Brazilian thing to do, like if you bring one thing you’re bringing it for everyone, I don’t know, and it just felt like, it was weird, it felt like a piece of home that I got to have at this really scary huge place. And I don't know, I feel like UMass being so big gave me the space to stop the comparison. That was when I was like, oh my god, I can stop being a poser kind of, and try to just relax a little bit, wear my hair natural. I also feel like going through different experiences and really realizing how much my parents sacrificed for me and care about me and show me so much unconditional love that not everyone in college gets to experience made me really appreciate them on a level that I never had. They really raised me with so much warmth, that it is crazy that I ever wanted them to stop being like that and be more American because it was the most nurturing environment. And now it's like, I’m like Mom please cook and yeah, just embracing that aspect also just like, now it’s time to kind of embrace differences. So yeah, I guess just like not thinking so hard about who I am and just being who I am, is what I am doing right now. Previous Next

  • Hannah's Story

    Hannah talks about the risk that she took in studying abroad in Amsterdam and her experience amercing herself in the culture by herself and how it impacted her future career path. Hannah's Story Hannah talks about the risk that she took in studying abroad in Amsterdam and her experience amercing herself in the culture by herself and how it impacted her future career path. Scroll to listen Hannah's Story 00:00 / 02:07 Would you tell me about a time that you took a risk? A time I took a risk was going abroad last semester, my fall semester, senior year to Amsterdam. And I know it's like cliche like, oh yeah, you like go abroad, whatever. But I really wanted my abroad experience to be as natural as possible. I didn't want to go to an American school in a foreign country. I didn't want to go to a school where I knew I was going to be surrounded by other American college students. I really wanted to just like go abroad and experience like culture shock like head on. So I decided to go to fret university type in Amsterdam, like by myself. I didn't know, I didn't know it was. So when I got there, I literally like booked my flight a week before and just got on a plane and shipped myself off to Amsterdam knowing no one. And yeah, that was the time I really did take a risk. And what did you learn about yourself? Did learn that taking a risk is not only can I do it and I'm very capable um but like it just gave me that confidence that I can take risks in the future. And that taking risks actually is a good thing. And I have so many positive outcomes from doing it and I really have made some of my best friends um throughout the world just doing that experience. And so post grad, I'm a senior. So I'm graduating next at the end of the semester in like a month, which is terrifying. But I, I decided to take a job in South Korea, um, teaching English, which I never, I never would have done, had I not taken that risk to go to Amsterdam because it's like a similar situation where I don't know a soul there. I don't know a soul in Seoul. Um, but I, I don't know anyone there. I'm just going by myself to a country that's thousands of miles away, um, with a 13 hour time zone, like, and I'm ok with it and I'm excited for it and I'm, I'm not crying because of stress this time, but I'm really excited.

  • Jesse's Story

    Jesse's Story Jesse shares a story with Kelly about his trip to Bhutan and the lessons helearned from his Buddhist practice. Scroll to Listen Jesse's Story 00:00 / 03:09 I've been a Buddhist my whole life. And I had been working with a teacher who had a very big impact on my life. I studied with him for about 13 years and he died in 1987. And I was kind of grieving and wondering, you know, where do I go from here? I felt kind of lost. I just had this idea of going on a retreat, maybe not a retreat, but a pilgrimage, to Bhutan, which is nearIndia. And because that was a place where he had spent some time and it had a very powerful impact on him; it changed his life. So I figured I'd go there and just experience that place as he did. I didn't want to do it alone. It's just that I don't like traveling alone. So I looked for some of these tours, that were going to Bhutan, which there aren’t many of because it is kind of out of the way. And it's kind of expensive to get there. So I was looking for some tours, and I found one in a Buddhist magazine. These people went exactly where I wanted to go. They're going to India and Bhutan and Nepal. And the guide was a Buddhist painter. It sounded interesting to me. And I contacted them and signed up. There were about 10 of us on the trip. And they were all Sufis for some reason. They were American Sufis and their main goal was going to India, where they had a temple that they were going to. My main goal was to visit a particular monastery where he spent time in Bhutan called Taktsang monastery. And it's just on a cliff. It's just like a flat cliff.And it's this, these buildings on the side of it are quite amazing. It's a very disorienting place because you're up on the side of a cliff, you know, and you just like space all around you. So it's quite remarkable. I almost didn't make it. I got sick in India. And I was in bed for a couple of days. And I was really worried that I wasn't going to make it to this monastery because that was the whole goal of this trip. You know, I was really getting kind of bummed out. But the fever broke. And the next day I was able to get up and go and we hiked up, it's about a three hour hike up to the monastery. And I was really hurting. And you know, I've been sick in bed for a couple of days. I was dehydrated. It was a tough climb. But luckily there were some horses that were going up and down to the monastery. And a fellow was with one of the horses and he just took a look at me. He goes, “Want to ride the horse?” And I agreed to do it. It took me up most of the way if not all the way, but most of the way, and I was able to get there in spite of being really sick. I beat most of them up there because of the horse. I don't know exactly how tall it is. But it's pretty steep. The monastery in the distance and it's up on this cliff. The closer you get the more you see these paths right along the edge of the cliff. It's pretty wild. It wasn't that scary. No, it was always a fairly wide path. You have these VISTAs you could see forever but it wasn't actually treacherous. It looked hard to get to but it wasn't that hard to walk there.

  • Barbara L's Story | Our Stories

    < Back Barbara L's Story Barbara discusses the important friendships that she has maintained in her life, and how over a lifetime of working in film and theatre, she has maintained these relationships while also achieving her dreams of working on set. 00:00 / 04:23 “Friendship has always been really important to me, so I’ve done what I needed to do to keep those friendships. I have 3 girlfriends from high school that I still am in touch with a lot and go away with every year for a girl’s weekend, and a girls week when we turn 40 and when we turn 50 to some place really great. So that has been a real highlight of my life, that I have these wonderful friends from high school. As I said I have a friend that I am in touch with quite a lot, she was here this year visiting, that I know since I worked in San Francisco, a very good friend that I know that was a girlfriend of one of the grips. And we are still friends even though she lives in Oakland now, and friends in New York that worked on The Outsiders, that are still very good friends, that are a couple. He worked in casting, and she was the set nurse, who eventually became a costumer. So there are those folks, but then when I would be away on location, which I was a lot, if I was working in New York it was a lot easier obviously to keep contact with my friends, when I was living in New York. I was on location a lot and there was no cell phones, no internet, no email. So, the only thing you could do is call or write letters, and I did both. I was sort of able to keep in touch with postcards, but then I would get back to town, after having been gone for maybe six months, and you know, you start calling people and you don’t know how long you’re going to be there, maybe a month, maybe six weeks till I start again, maybe it’s only going to be three weeks and I’m going to be gone again. So, by the time you set up, you call them, maybe you find out what is going on with them, you plan to get together for dinner, and poof you’re gone again. Or if they are people that are working in film, they are gone again. My friend who was in casting, he stayed in casting a long time, and if he was in the middle of casting something, the only way I would see him was if I was willing to go to a play with him or see a new comic that he was thinking about casting in something. And that would be the only way I could see him because he was basically busy from morning to night. Everyone and everything was a little bit that way, with everyone that I knew, so it was lonely at times. I would sometimes be in a different time zone, and wonder “who can I call? I’m feeling lonely.” And I had an important relationship in college, but it really wasn’t until I was forty that I had another one that was more than a sometimes thing. When you’re in town, or you’re both in town, and during a film. In some ways, it made me be my own agent, you know have a lot of my own agency because I was my most consistent companion. It was just me; I was the only one who was always around that I could rely on. And I felt independent in the world and strong. We were talking about packing earlier, but I would have a plane ticket in my purse a lot of the time, and I would be able to pack in a pretty small bag and be gone for a month because I was just so used to living out of a suitcase. And I just felt good in the world, and I felt, having made it my own way with no one else helping me, besides my white privilege that is, I was able to have gotten myself to that position and I was happy. I kind of took it for granted in a certain way that I had done it, I did not always think about how I had done that for myself, but I was happy just having to gotten to where I got. To where I could choose the films I wanted to work on, where I could expand my role and do more producing and do script supervising sometime which was really fun. Being on the set and dealing with more of the actors, the director, and the camera people, it really was like my dreams come true.” Previous Next

  • Ray's Story

    Ray's Story In this clip, Ray discusses his journey to a love of theater and acting. Acting has taught him a great deal about life, and is a critical part of his identity. Scroll to Listen Ray's Story 00:00 / 03:52 Ray: So, um, my English teacher in my freshman year English class also happened to be the guy who ran the drama activities at Springfield College. This is 1961 we're talking. He was always trying to get the jocks to try out for the - because he never had enough bodies for the plays that he was doing. Then I tried out for a play in the spring quarter of my freshman year and I got a small part in a play called - by Tennessee Williams - called Cat on a Hot Tin Roof! So I got to see all the plays that they did, which was an eye-opener to me, because I had never seen a play before, really. Never seen the live theater. I fell in love with the idea of making theater. It was imaginative, it was like you all created to- as a, as a group of people, you created something, and, that was imaginary, and you lived in it! And you got to express a part of yourself that might not be able to be expressed in the rest of your life! It seemed very magical to me. So anyway I had decided, “Well I’m going to transfer and become an English major.” But I also said, “Maybe there's some theater going on over at the junior college, maybe they do something in the summer.” So I went over, offering to work backstage, but they said, “Aren't you going to try out for the plays? We do two plays in the summer. You should - ought to do that.” So I tried out for the first play and got a supporting role in it! I'm sure I was terrible. (Laughter) But, I did it, and found it interesting. And then the guy who ran their theater program at the junior college, he directed the second play they did in the summer. And he cast me in the lead for that without me even having to audition! And as it turned out, also I got a headline in the paper, in the Flint Journal, a review, and it said “Burke Scores in Local Play.” In all the time I did athletics, there was no recognition at all, and suddenly I had a degree of public success that just blew me away! I had - amazed me! It made me really turn my head around. Not just to switch and become an English major; I wanted to study theater. That fall, I suddenly was in Evanston at Northwestern University, and found myself as a full-time theater student. My focus was to be acting, but I loved all aspects of working in the theater. After I finished graduate school I did teach, uh, at Southern Methodist University, for, uh, three years. And then that led into working in more professional situations, and eventually I left the educational theater behind. And said, I want to try and see if I can't make it as a professional actor. There’s the same kind of progression that you do there. That led to, you know, working in regional theater for 14 years, which led to I wanted to work in a larger kind of framework, so I said I wanted to do television and film. So we all moved to Los Angeles and I was there for 20 years, doing TV and film and some theater. And after twenty years, um, we shifted and moved to the Twin Cities where I still continued to, ‘cause they have wonderful regional theater there, a really great - the Guthrie Theater. And I worked there for 16 years and only occasionally in television and film, when something would come to town that I’d get a part in. So I’ve been, now, a professional actor now for fifty years, and a student of acting for almost 60 years. My wife has always said that acting for me is a practice. It's not a career as such. So it’s more than just the way I turn my living, it's a way that has shaped me and fulfilled me as a human being. I think I said to you once that I'm a better actor because of having a full personal life. I'm also a better person for having been an actor, I think.

  • Betty's Story | Our Stories

    < Back Betty's Story Betty talks about her gratitude and appreciation for the support she has received during hard times in her life. 00:00 / 03:30 Previous Next

  • Josh's Story

    Josh shares his dedication and identity to football at college and wanting to succeed in his athletic career, only to realize that it was taking him away from his academics. When Covid hit, which was brought with a year spent at home, he decided to change his focus from football towards his studies on Public Health. Leaving your past self may be hard, but it’s the sacrifice to limitless possibilities and realizing . Josh's Story Josh shares his dedication and identity to football at college and wanting to succeed in his athletic career, only to realize that it was taking him away from his academics. When Covid hit, which was brought with a year spent at home, he decided to change his focus from football towards his studies on Public Health. Leaving your past self may be hard, but it’s the sacrifice to limitless possibilities and realizing . Josh's Story 00:00 / 03:20 So at 18 I think, not that my head was in the wrong place but, now looking back I was definitely a little bit naive, I think. I was really obviously into football. I'd like that's where I kind of put all my time and energy. I was fortunate enough where I won a state championship with my team in my senior year so that kind of boosted not my ego but my like attention towards football and wanting to keep on having success in the sport. So I obviously ended up going to Springfield College right after graduation to go play football at the college you know after being there for a couple of months and just kind of interacting with the people there. I just kind of realized that like I wasn't really getting as much out of it then that I thought I was going to and I was like you know what I'd rather just commit the time that I was spending playing football just to focus purely on my academics at that point. So I decided that I was going to quit football which was kind of a big part of my identity at the time. I kind of had to learn how to you know take that part of myself and kind of let it be in the past. I would say fortunately but unfortunately enough by the time I realize that I was done playing football Covid became a thing and that was during the Spring of my freshman year so we all got sent home and that was kind of like the you know the nail in the coffin for my decision if there's any time to you know hang up the cleats now. I lived at home for about like a year and then at that time I transferred to you Umass. As my studies kind of kept on getting more in depth, I started to figure out that I really liked them my new major public health I you know I started to meet some new people and most of them were from you know the friends that I had for my hometown and I met their friends that they met up here. I would say that when it comes to you know now being 22 and graduating in a month I would say like the biggest difference from like now to when I was 18 in high school and like you know kind of just bullying and obsessed with football is that I kind of realized that education is definitely you know the ultimate way forward because you know I was just so into Sport and then I realized that we're all just lifelong learners and why limit myself and put time into you know a sport just entertain myself when I could go out and like learn something. My dad was my football coach in high school so he obviously kind of wanted me to keep on playing but he obviously had no like there's no pressure that came with like he wasn't going to force me to keep on playing. He would have liked it if I did but, he was totally supportive that I decided I wasn't going to play anymore. Previous Next

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